diffrentcolours: (Default)

This weekend, me and [personal profile] cosmolinguist went to Goths on a Field 2025. Long-time readers will remember last year, my first GOAF, where I drank too much and spoiled the weekend for myself. This time I had an emotional support boyfriend with me, and it was in the middle of a heatwave so the prospect of drinking lots didn't appeal anyway.

This year I was a bit more prepared than last, or so I thought... length )

It's a weird little event but it's great fun. It was good to see people, and to banish some of the ghosts of the year before.

diffrentcolours: (Default)

Alabama 3 at the Ritz in Manchester tonight was an excellent gig. A little bit under-rehearsed in places perhaps, but the band were on strong form with a more country-rock oriented take on their back catalogue of sweet, pretty, acid house country music. Sadly [profile] bright_helpings couldn't make it, but I met up with a dear old friend from my Oxford days a quarter century ago.

First up as support, we had Sonny Eriksson performing his "cyberbilly" - a mixture of electronica and psychobilly. It sounded a bit like Lux Interior fronting KMDFM, with heavy use of samples. The specific use of samples for crowd interaction reminded me of Public Service Broadcasting too. Weirdest revelation of the night is that Sonny E. is a pseudonym of the artist also known as Adamski. Yes, that Adamski.

With the unfortunate passing of the Very Reverend D. Wayne Love in 2019, it's kind of weird to go to a gig which is a retrospective of their first two albums without one of the singers on stage (though his recorded voice did lead us during Hypo Full Of Love among other songs). What we got instead was a more stripped down version of the songs, with a country rock edge courtesy of female vocalist Devlin Love.

It didn't sound like the albums, and it didn't sound like the last time I saw them, shortly after D. Wayne's death, when they had adopted a more gospel-focused sound. But the power of the music shone through, particularly on "Peace in the Valley", a gloriously minimal "The Thrills Have Gone", and personal favourite "Sad Eyed Lady of the Lowlife". They bravely knocked out their most famous song, "Woke Up This Morning", early in the set to leave the audience wondering what would come next.

Larry Love's banter was on good form, asking us to petition Greater Manchester Mayor Andy Burnham for an "acid house country" category in the Country Music Awards, and dedicating "The Old Purple Tin" to the Spice addicts of Manchester. Apparently the song is named for the purple cans of Tennent's Super lager. They ended that number with a musical segue into Prince's "Purple Rain" which was good fun.

I moved a lot during the gig, shouting through my FFP2 mask, singing along and waving my hands in the air. I left the venue feeling in some way refreshed and restored. In the words of "Ain't Goin' to Goa", my consciousness expanded by singing at the local tabernacle.

They're playing Bristol on 13th December and London on the 14th, catch them (and their support!) if you can.

diffrentcolours: (Default)

Since the start of the pandemic I have been to very few gigs. Gigs last for several hours, in poorly-ventilated venues, and it's simply not worth the risk most of the time. But the balance with my mental health is precarious, particularly with the dark nights drawing in, and some of my very favorite bands are playing gigs this autumn.

I had failed to get tickets to see Godspeed You! Black Emperor at the Ritz before they sold out. But on the evening of the gig, about an hour before the doors opened, a friend mentioned on Facebook that she had a spare ticket. Which was fine but I didn't really want to go without [personal profile] cosmolinguist. Usually one ticket would be enough for this - I can often be his PA for the gig and get in for free myself, but this needs prior discussion with the venue (and isn't really cheating; I don't think he'd go to gigs without my help). But one of her friends said he also had a spare ticket! So we made the appropriate requests and jumped on a bus. After food and a pint we got into the venue on just one ticket - they looked at E's white cane and him taking my arm, and just waved us through! I wouldn't want to count on that though.

Inside, the CO2 numbers were predictably horrible, but my new AusAir mask is comfortable for longer durations. We ended up sat at the side on the balcony, with no view of the stage but it didn't matter too much. The support act whose name I didn't catch started slowly and quietly, just an acoustic guitar and a lot of effects pedals. The crowd was talking loud enough to impact the music, and I was worried this would end up like the time I saw GYBE at the Manchester Academy, where hipsters chatting and filming on their smartphones rather spoiled things for me. Fortunately the artist seemed to pick up on this as well, and got louder, bleeding into the resonant frequency of the building in a way that made my trousers vibrate. It was fairly experimental at times, pushing at the envelope of what can be considered music, in a way that I enjoyed.

Then Godspeed You! Black Emperor came on, and I spent two hours blissing out. For all I hadn't wanted to go without E, we mostly sat next to each other in silence, often with eyes closed, barely touching and just vibing with the music. I found myself moving at times, almost involuntarily, and trying to follow patterns within the music. It was beautiful. The claustrophobia of wearing a mask throughout the gig wasn't great, but it was definitely worth it. I wasn't moved as much as the Academy gig, and I doubt any performance of theirs will match up for me to seeing them in Birmingham, blissed out on the wooden floor of the Q Club, leaning into a dear friend. However, I felt a kind of peace by the end of the performance, and I'm very glad I went.

Afterwards we went back to the Thirsty Scholar with our friend who'd originally posted about the spare ticket, buying her a Red Bull as a thank-you. She gave us a lift home and stopped in briefly to pet Gary, but it was around midnight at that point and we were all knackered.

Profile

diffrentcolours: (Default)
diffrentcolours

January 2026

S M T W T F S
     123
45 6 7 8910
11121314 151617
18192021222324
25262728293031

Links

Syndicate

RSS Atom

Most Popular Tags

Custom Text

Wibble wobble

Style Credit

Expand Cut Tags

No cut tags
Page generated Jan. 16th, 2026 07:42 pm